Artist: Les McCann Trio
Title: Live at the Village Vanguard
Year Of Release: 2017
Label: 2xHD - Storyville Records
Genre: Jazz
Quality: DSD128 (.dsf) 5,6 MHz/1 Bit / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 41:55
Total Size: 3.21 / 1.59 GB
WebSite: Album Preview
Tracklist:Title: Live at the Village Vanguard
Year Of Release: 2017
Label: 2xHD - Storyville Records
Genre: Jazz
Quality: DSD128 (.dsf) 5,6 MHz/1 Bit / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 41:55
Total Size: 3.21 / 1.59 GB
WebSite: Album Preview
- 4.0 out of 5 stars The Weakest Of Three Essential CD`s By The Best Version Of The Great Jazz Trio. Reviewed in the United States on April 6, 2010 For one week in February 1977, three giants of jazz gathered at the legendary Village Vanguard and played a series of shows nightly, some of which were recorded and released at various times thereafter.
- The Great Jazz Trio At The Village Vanguard, Vol. Album by The Great Jazz Trio 4 songs.
1. I Can Dig It 08:28
2. On Green Dolphin Street 06:59
And if you like jazz trio's with articulate bass playing and a clear and purposeful piano technique, then you are in for a treat. Dfx audio enhancer full version with crack. This is a live recording set at the New York Village Vanguard jazz club with accompanying audience ‘participation', though that never distracts. Imo contacts not showing.
2. On Green Dolphin Street 06:59
3. Blues 5 04:57
See Full List On Discogs.com
4. Sunny 08:03
5. I Am in Love 07:12
5. I Am in Love 07:12
1. I Can Dig It 08:28
2. On Green Dolphin Street 06:59
3. Blues 5 04:57
5. I Am in Love 07:12
6. Love for Sale 07:11
And if you like jazz trio's with articulate bass playing and a clear and purposeful piano technique, then you are in for a treat. Dfx audio enhancer full version with crack. This is a live recording set at the New York Village Vanguard jazz club with accompanying audience ‘participation', though that never distracts. Imo contacts not showing.
2. On Green Dolphin Street 06:59
3. Blues 5 04:57
See Full List On Discogs.com
4. Sunny 08:035. I Am in Love 07:12
6. Love for Sale 07:11
An early musical success for McCann was his winning of a Navy talent contest for singing; this led to an appearance on The Ed Sullivan Show. His main career began in the early 1960s when he recorded as a pianist with his trio for Pacific Jazz Records.
In 1969, Atlantic Records released Swiss Movement, a recording of McCann with frequent collaborator, saxophonist Eddie Harris, and guest trumpeter Benny Bailey at that year's Montreux Jazz Festival. The album contained the song 'Compared to What', and both the album and the single were huge Billboard pop chart successes. «Compared to What» featured political criticism of the Vietnam War. The song was not written by McCann; fellow Atlantic composer/singer Eugene McDaniels wrote it years earlier. «Compared to What» was initially recorded and released as a ballad by Les McCann in 1967 on his Les McCann Play The Hits, issued on the Limelight label.
After the success of Swiss Movement, McCann – primarily a piano player – began to emphasize his rough-hewn vocals more. He became an innovator in the soul jazz style, merging jazz with funk, soul and world rhythms; much of his early 1970s music prefigures the Stevie Wonder albums of that decade. He was among the first jazz musicians to include electric piano, clavinet, and synthesizer in his music.
Recorded in stereo at New York's famous Village Vanguard on July 16, 1967, this is a remarkable album from this great pianist whose style is rooted in jazz, blues, funk, and R&B. This is one of Les McCann's last recordings in the jazz style before he turned to a more commercial R&B & singing career.
Les McCann reached the peak of his career at the 1969 Montreux Jazz Festival, recording 'Compared to What' and 'Cold Duck Time' for Atlantic (Swiss Movement) with Eddie Harris and Benny Bailey.
McCann first gained some fame in 1956 when he won a talent contest in the Navy as a singer that resulted in an appearance on television on The Ed Sullivan Show. After being discharged, he formed a trio in Los Angeles. McCann turned down an invitation to join the Cannonball Adderley Quintet so he could work on his own music. He signed a contract with Pacific Jazz and in 1960 gained some fame with his albums Les McCann Plays the Truth and The Shout. His soulful, funk style on piano was influential and McCann's singing was largely secondary until the mid-'60s. He recorded many albums for Pacific Jazz during 1960-1964, mostly with his trio but also featuring Ben Webster, Richard 'Groove' Holmes, Blue Mitchell, Stanley Turrentine, Joe Pass, the Jazz Crusaders, and the Gerald Wilson Orchestra.
After the success of Swiss Movement, McCann emphasized his singing at the expense of his playing and he began to utilize electric keyboards.
The Les McCann Trio:
Les McCann, piano
Leroy Vinnegar, double bass
Frank Severin, drums
In 1969, Atlantic Records released Swiss Movement, a recording of McCann with frequent collaborator, saxophonist Eddie Harris, and guest trumpeter Benny Bailey at that year's Montreux Jazz Festival. The album contained the song 'Compared to What', and both the album and the single were huge Billboard pop chart successes. «Compared to What» featured political criticism of the Vietnam War. The song was not written by McCann; fellow Atlantic composer/singer Eugene McDaniels wrote it years earlier. «Compared to What» was initially recorded and released as a ballad by Les McCann in 1967 on his Les McCann Play The Hits, issued on the Limelight label.
After the success of Swiss Movement, McCann – primarily a piano player – began to emphasize his rough-hewn vocals more. He became an innovator in the soul jazz style, merging jazz with funk, soul and world rhythms; much of his early 1970s music prefigures the Stevie Wonder albums of that decade. He was among the first jazz musicians to include electric piano, clavinet, and synthesizer in his music.
Recorded in stereo at New York's famous Village Vanguard on July 16, 1967, this is a remarkable album from this great pianist whose style is rooted in jazz, blues, funk, and R&B. This is one of Les McCann's last recordings in the jazz style before he turned to a more commercial R&B & singing career.
Les McCann reached the peak of his career at the 1969 Montreux Jazz Festival, recording 'Compared to What' and 'Cold Duck Time' for Atlantic (Swiss Movement) with Eddie Harris and Benny Bailey.
McCann first gained some fame in 1956 when he won a talent contest in the Navy as a singer that resulted in an appearance on television on The Ed Sullivan Show. After being discharged, he formed a trio in Los Angeles. McCann turned down an invitation to join the Cannonball Adderley Quintet so he could work on his own music. He signed a contract with Pacific Jazz and in 1960 gained some fame with his albums Les McCann Plays the Truth and The Shout. His soulful, funk style on piano was influential and McCann's singing was largely secondary until the mid-'60s. He recorded many albums for Pacific Jazz during 1960-1964, mostly with his trio but also featuring Ben Webster, Richard 'Groove' Holmes, Blue Mitchell, Stanley Turrentine, Joe Pass, the Jazz Crusaders, and the Gerald Wilson Orchestra.
After the success of Swiss Movement, McCann emphasized his singing at the expense of his playing and he began to utilize electric keyboards.
The Les McCann Trio:
Les McCann, piano
Leroy Vinnegar, double bass
Frank Severin, drums
East Wind
Download Link Isra.Cloud>>>
Live at the Village Vanguard DSD128.rar - 3.2 GB
Live at the Village Vanguard Hi-Res.rar - 1.6 GB
Live at the Village Vanguard DSD128.rar - 3.2 GB
Live at the Village Vanguard Hi-Res.rar - 1.6 GB
- Re-Up this Album
